The Cream Top Milk Separator


The Cream Top separator, a humble metal ladle, was designed for the purpose of separating cream from milk in a particular type of milk bottle. Before homogenized milk became widespread in the late 1940s, milk bottles typically featured a top layer of cream-- the fat that naturally rises to the milk's surface.  Cream Top bottles featured a bulge at the cream line where the ladle could rest.  The end of the ladle doubled as a bottle opener and hooked on to the bottle's rim, allowing one to tip over the bottle and pour out the cream using only one hand.

"Something More Than Just a Bottle of Milk"

During the first half of the 20th century in the United States, milk industry practices and the consumption of milk became increasingly standardized by the federal government.  After a century of  milk contamination scandals, measures such as the requirement of pasteurization and the institution of federal milk programs in schools sought to instill public trust in milk as a safe, nutritious food and thus increase consumption of domestic commodities. In early 20th century advertisements, milk is consistently billed as a pure, simple source of nutrition, yet each manufacturer emphasizes a quality that makes theirs different.  See my posts on Selling Milk Between the Wars, Parts I and II. With the Cream Top Corporation, it was the efficiency of their specially designed bottle and the quality of the cream ("so thick it whips instantly"), targeting 1930s housewives in charge of family meal planning.




Cream Top Advertisement, Good Housekeeping, March 1, 1940.
Photo: Gallery of Graphic Design. gogd.tjs-labs.com

Cream Top Advertisement, Good Housekeeping, March 1, 1940.
Photo: Gallery of Graphic Design. gogd.tjs-labs.com

Cream Top Advertisement, Good Housekeeping, June 1, 1935.
Photo: Gallery of Graphic Design. gogd.tjs-labs.com
"Luxury Without Extravagance"
During the Great Depression, Cream Top advertised the idea of cream as an economical luxury.  The recipe booklet below encourages home cooks to use cream in every meal, thereby adding an element of luxury to even the sparest of ingredients: "[cream] adds interest and flavor to soups, salads and even meat courses.  It often transforms left-overs into royal dishes as if by magic...yet it's so simple to use.  Without fuss or bother, you can quickly 'make' whipped cream."  As milk bottles were gradually replaced with paper cartons in the 1940s, the Cream Top bottle faded away.

Like the advertisements above, this 24-page booklet is associated with the magazine, Good Housekeeping.
Here, the recipes have been "tested, tasted and approved by the Good Housekeeping Institute.  Booklet circa 1930s
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Click here for a recipe from the booklet.

More on milk from the archives:
PET Milk and the Business of Feeding Babies
Selling Milk Between the Wars, Parts I and II

Culinary Ephemera: New York's One and Only President

From the humble Automat to the grand Delmonico's, many well-known New York restaurants and eateries have been remembered by history.  But there are still more stories to tell of others that have surpassed the brevity of the average New York restaurant's lifespan.  The President was one such place, lasting for over 40 years at the same location in midtown Manhattan.


President Restaurant Menu circa 1963-69. The cover reads, "Since 1788 the United States of America have had 35 presidents. Since 1930 the City of New York has had only one!" and "We are honored by your presence with us for Luncheon and wish You a Good Appetite! Yr. Obt. Svt., The President."
President Tavern menu, dated August 3, 1944.  New York Public Library. This menu can be studied via the NYPL's excellent digital menu platform, "What's on the Menu?" Click on any of the dishes listed in the menu to find books and ephemera from the NYPL and other online repositories that mention the dish, as well as restaurants that currently list the dish on their menu. 

In 1930 Charles Munves and Samuel Agran opened The President in a brand new building at 370 Lexington Avenue at 41st St.  A year later they leased the space and basement next door as well.  The picture below shows the two storefronts as they are today, occupied by a Cafe Metro and a Dunkin Donuts.  The President Tavern was located where Dunkin Donuts is now and the Cafeteria was on the corner, the two units divided by the building's front entrance.  The spaces were remodeled several times and at some point in the 1950s the name was changed from The President Tavern and Cafeteria to The President Restaurant (keeping the two distinct dining areas), as it remained until it finally closed in 1972.

370 Lexington Ave., New York, at the corner of 41st St., once home of The President Tavern and Cafeteria. Photo 2012.

Charles Munves was born in 1895 in Minsk, then part of Russia, and later emigrated to New York City.  Agran, previously affiliated with New York's Monroe Cafeteria, was also a Russian émigré, born in 1897, and joined the United States Merchant Marines after coming to the United States.  Munves was thus 35 and Agran 33 when the two jointly opened the restaurant.  They both remained active in the business, even after their sons, Gene Munves and Michael Agran, joined the enterprise in the 1950s.  After the elder Munves and Agran retired, Gene and Michael remained as joint proprietors until the establishment closed, ending a remarkable 42 year run.  The President's early years were at a time of economic instability-- the Great Depression had recently blighted the United States, and in New York, frequent restaurant workers' uprisings culminated with infamous corruption scandals between local gangsters and the leaders of the restaurant workers' union.

President Tavern and Cafeteria Postcard circa 1940. 

Some of the most enduring restaurants profit from cultivating a loyal clientele, coalesced from within a city's tacit divisions of race, class, and gender.  The President Cafeteria/Restaurant served a niche lunch group of white middle-class professional men working in the midtown area near Grand Central Station, much like Schrafft's and Longchamps catered to white middle-class "ladies-who-lunch."  Serving breakfast, lunch, and dinner and open until 1a.m., the cafeteria advertised self-service hot meals "at reasonable prices" in a relaxed, casual environment.  The self-proclaimed largest restaurant in the Grand Central Zone, The President was a reliable staple of the Murray Hill neighborhood and was a regular haunt of soon to be luminaries such as the writer Charles Reznikoff, the cartoonist Harry Hershfield, and the aspiring actress Susan Hayward.  The Tavern section, decorated with wood paneling, mirrors, and white tablecloths, had a cocktail lounge and dining room with waiter service and was the more refined option, advertising "The finest wines and liquor" and "Where eating is a pleasure."  With its comfortable atmosphere and private dining facility, it was a popular meeting place for clubs, fraternities, and societies.  By offering two levels of dining in one trusted establishment, the President was able to appeal to a broader cross section of the public.   

The President had a relationship with the neighborhood it served.  As Linda Agran, widow of the late Michael Agran recalls, "During the 1965 blackout the restaurant remained open and served, free of charge, all food that did not require cooking.  When the food ran out they remained open so that stranded commuters had a place to wait until the power returned.  Michael and Gene used candles (donated by the local churches), cooking oil, just about anything that would create some light.  When Michael returned to our home in Rye Brook late the following morning he was covered with soot from the cooking oil lights but so happy that they had helped so many people get through that confusing night."

Reservation form from The President Restaurant, ca. late 1960s.  Note that parties could choose a presidential suite, the main dining room, the cocktail lounge, or the sportsman corner. {Click to enlarge}


370 Lexington Ave., New York, NY. Photo 2012.


President Tavern and Cafeteria Matchbook ca. 1930s.

My grandfather ate lunch at the President Restaurant nearly every day for the over 20 years he worked for an engineering company, at first when the firm was located in the same building as The President and then after his office moved to a building on Park Avenue.  He would lunch in the cafeteria-style restaurant, taking his tray past the assortment of hot food dishes behind a glass case.  Reflecting the standard American diet of the 1950s and 60s the offerings consisted mostly of meat dishes (see menu below).  A typical meal included a seafood or meat dish such as roast beef served with gravy, a side of potatoes, and cooked vegetables such as spinach or a salad.  My grandfather liked to get a few slices of roast beef and chat with the meat carver; he preferred the cafeteria because he liked being able to see and pick out the food he was about to eat.  He would entertain clients in the tavern section.  For patrons like my grandfather, The President offered a one stop dining experience.

President Restaurant Menu ca. 1963-69.


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President Restaurant Menu circa 1963-69. Back cover.

And of course, The President also had a theme, although it was not a "theme restaurant" per se; the staff did not dress in period costume and sing patriotic ballads or anything like that.  I don't know why Munves and Agran chose to glorify U.S. presidential personages on the menu.  Perhaps they liked the memorable and dignified sounding name and the idea that patrons might feel special dining there.  Perhaps, as recent Eastern European immigrants, Munves and Agran felt it was a kind of homage or good luck symbol for their new business venture in America.  Perhaps they were trying to project a patriotic, Americentric air in an effort to assimilate and seduce a variety of customers.  There is very little recorded information about the men who built this unassuming restaurant with a big name.  After opening The President, Munves married and settled down in Babylon, Long Island.  Sadly, in 1951 the Munves' first-born son, age 5, drowned in a boating accident near their home.  Eventually Munves remarried and had more children.  Certainly The President kept going.

The circa 1961 president-themed postcard below came from the President Restaurant and was designed by Hilborn Novelty Advertising, a company specializing in caricature postcards.  When I see this postcard, with its tiny presidents' head shots pasted onto the bodies of football players proclaiming "An All-American Team with Democracy their Goal," and the menu above decorated with presidents' faces, one empty box eagerly waiting to be filled, I sense the pride and great pleasure that the Munves and Agrans derived from the distinctive place they had built together.  When Michael and Gene decided to close the restaurant in 1972, ultimately pursuing other careers and focusing more on their growing families, Samuel Agran was 75 years old.  He died 9 years later.

Postcard from The President Restaurant, ca. 1961. Reads "An All-American Team with Democracy their Goal." 




As it happens, I've been enjoying The Bitter Season (1946) by Robert M. Coates, an articulate and sensitively written novel of a writer living in New York during World War II.  The book is filled with descriptions of the city at night, as the narrator takes the reader on a veritable street tour, glimpsing into darkened shops and the windows of eateries open past midnight, where estranged, lonely characters while away their time.  And here, amidst one street scene, is The President:
"Get ya late," cry the newsstand men up around Grand Central (it is dark, it is late, it is cold), and in the bar of the President Tavern two soldiers are standing laughing while a third holds the rim of the bar with both hands and (he laughing too) leans back drunkenly; in the window of Florists Funeral Designs next door they are featuring a set of big brandy snifter glasses, arranged carefully in a row and each one with a small cactus plant growing inside it: apparently it's the latest idea.  (pg. 50)
This description would be from around the same period as the NYPL menu above, dated 1944.  

This post was updated on June 21, 2013 with information provided by members of the Munves and Agran families.  My sincere thanks to everyone who kindly contributed details, particularly Linda Agran, whose memories have allowed for a much richer picture of this storied place.

For more on restaurant history, take a look at Jan Whitaker's authoritative blog Restaurant-ing Through History.
Ephemeral New York is an excellent blog on things New York. 

Book Review: Brazilian Cookery (1965)


Brazilian Cookery by Margarette de Andrade, Charles E. Tuttle Co., 1965, 349 pp. 


When a friend of mine visited Brazil last year, her intrepid account of the trip on her always witty and entertaining blog, One for the Road Travel, brought to mind a classic cookbook that has long been out of print. Published in 1965, Brazilian Cookery: Traditional and Modern, written by Margarette de Andrade, describes the variety of cultural threads that run through Brazillian cuisine, mainly Native, African, and Lusitanian. Like many pre-1970s era cookbooks, the dishes are not photographed.  The charming illustrations of food-related activities in Brazil by the artist Hector Bernabó, known as Carybé, decorate the book throughout. Thoughtfully annotated recipes, many of which de Andrade transcribed from oral descriptions, are prefaced with essays on the role and development of foodways in Brazil. While many cookbooks are organized by course or a general ingredient category such as "vegetables" or "fish," de Andrade's chapters are structured around what she sees as important elements of Brazilian cuisine such as holidays, coconuts, Afro-Brazilian cookery, and beans and rice.  The intended audience is American, and de Andrade (neé Sheehan), a native New Yorker who married Brazilian journalist and diplomat, Gabriel de Andrade, makes every effort to facilitate an introduction to Brazilian food.  Detailed explanations are given of common Brazilian ingredients that were (and likely continue to be) exotic to most 1960s American kitchens, such as manioc, dendê nut oil, and malagueta peppers. There is also a listing of food importers and purveyors located in the U.S. (now mostly defunct) and an indispensable index of recipes that can be made with left-over egg whites or yolks. And, as I will show later, de Andrade is extremely generous to her readers.




In examining cookbooks, it is always instructive to read the introductory pages in order to see what the author chose to include and exclude. De Andrade chooses recipes that would "find acceptance to the American taste and, at the same time, be representative of an orthodox Brazilian cuisine." Although de Andrade mentions culinary contributions from German, Italian, and Japanese immigrants, as well as the popularity of nouvelle French cuisine, she omits such foreign sources from the recipes.  Portuguese recipes are exempt from this exclusion, however, which de Andrade explains, "in the final analysis cannot really be considered foreign."  De Andrade thus implies the existence of an essential Brazilian cuisine, identified exclusively as native-afro-luso.

There are some points raised by de Andrade that I wish had been explained more fully. For instance, in the section on feijoada, a favorite stew made of beans and meat, de Andrade vaguely states that there is no record of the stew in Brazil prior to the 19th century, but that it became increasingly popular and eventually became the national dish. What factors contributed to its popularity and its rise to fame?  Similarly, a mention of buying vegetables from Japanese truck gardens left me wondering more about such local vegetable-growing communities. According to The Japanese in Latin America by Daniel Masterson and Sayaka Funada-Classen (2004), selling vegetables from truck gardens (gardens growing vegetables intended for local markets) was a secondary source of income for immigrant Japanese coffee farmers, who grew the produce in their coffee groves.  




De Andrade describes the food of Brazil with genuine affection, the result of a long career in studying Brazilian culture.  In 1949 she was awarded the Brazilian Order of Merit and at the time of this book's publication had worked for the Brazilian Embassy in Washington for over two decades.  De Andrade's recipes are based on traditional Brazilian recipes that she began translating and collecting in 1927. Where possible, she lists the name of the recipe writer and her/his place of birth, solidifying the claim of authenticity. One of the most charming aspects of this book is the descriptive names of dishes, which de Andrade fondly explains are a hallmark of Brazilian cookery. "Old Clothes," "I Want More," "Mother-in-Law's Eyes," "Hurry," "Fatten Your Husband," "Nun's Sighs," and "Angel's Double Chins" are some of my favorites. De Andrade devotes seven chapters to Brazilian bread and confectionaries, of which many dishes were brought into circulation by Portuguese nuns, who made and sold the sweets.  De Andrade discusses the Brazilian flair for elaborately decorated cakes with particular attention to Cybèle Magro's Butterfly Cake, a two-page recipe requiring the use of a traditional butterfly-shaped cake pan. Can't find a butterfly-shaped cake pan? Not to worry-- de Andrade says she will loan you hers-- just call her up and ask her to send it to you.  Didn't I say she is generous to her readers?




The following recipe for Sonhos, or Dreams, is one of the book's many beautiful Portuguese egg-based desserts.  De Andrade calls them cookies but they are baked in muffin tins and, at least from my experience, have a cakey consistency.  Dreams are not at all like muffins or cake, however.  They are extremely light and not very crumbly, more like a steamed cake.  The most unusual thing about Dreams is that the exterior crisps ever so slightly, giving them a taste reminiscent of meringue.  The last line of the recipe is adorable.

Sonhos (Dreams)
1 cup all-purpose flour, sifted
2 tsp baking powder
1/4 tsp salt
1 can [sweetened] condensed milk
2 Tbs butter
2 eggs, separated
1/4 cup chopped Brazil nuts
1/4 cup milk

Mix flour, baking powder and salt. Heat condensed milk with butter. When mixture is hot, add dry ingredients all at once, stirring rapidly. Return to low heat, stir constantly and cook for 5 minutes. Beat in egg yolks, then fold in stiffly beaten egg whites. Add the nuts and milk. Spoon into buttered small-size muffin tins, filling 3/4 full. Bake in preheated 400° oven for 8 minutes. Reduce heat to 300° and bake another 8 minutes. Yields approximately 30 small-size Dreams.